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  1. WolfDog Pg6 by RAE-J<< Previous|| Next >>WolfDog Pg8 by RAE-J
    late b/c my laptop was bein fucky
    tryin some new techniques and idk wtf im doin like zero clue


    PLEASE READ THE FOLLOWING:
    This comic is designed as a test for me to experiment with comic writing as a form of storytelling, critiques are absolutely welcomed and even encouraged. I would like to hear your personal opinions as well! I will not go back to already made pages and apply the advice (except typos), but I will try my best to apply it with pages in-production. This comic will most likely go through some extreme "art evolution", so be prepared. The character designs, story, and overall style will remain the same, however, technique and format are subject to change.

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  2. High School legends, Team Shohoku from Slam Dunk vs Middle school generation of miracles, Teiko. Who will win? perhaps.. this was the training that made Teiko the generation of miracles.. secret training from team of senpais

    Follow our pages at:

    Team Shohoku coslayed by FLEX. Cosplay 
    Akagi Takenori by Drefan Cosplay 
    Sakuragi Hanamichi by Kenneth "Lilaeroplane" Ting
    Mitsui Hisashi by Renn
    Ryota Miyagi by Gurei
    Kaede Rukawa by Alexander Jamouson (Skyy was overseas)

    Team Teiko
    Seijuro Akashi by Jeremy Gan
    Aomine Daiki by Daizy
    Atsushi Murasakibara by Yuen cos - 延
    Ryota Kise by Zephyus Cos
    Shintaro Midorima by Eva-XIII

    Photography by Vaxzone


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  3. 'Dark Lord's Progress'

    F̶r̶i̶e̶n̶d̶ ̶/̶ ̶p̶u̶p̶i̶l̶ ̶/̶ ̶f̶o̶l̶l̶o̶w̶e̶r̶ / servant to Melkor.
    Teacher / m̶a̶n̶i̶p̶u̶l̶a̶t̶o̶r̶ ̶/̶ ̶t̶r̶a̶i̶t̶o̶r̶ ̶/̶ ̶t̶o̶r̶t̶u̶r̶e̶r̶ ̶/̶m̶u̶r̶d̶e̶r̶e̶r of Celebrimbor. 
    P̶r̶i̶s̶o̶n̶e̶r / most trusted advisor to Ar-Pharazôn.

    Prints and pretty things of this available here:

    Inspired by 'The Silmarillion' and other writings of JRR Tolkien.
    For more details about the stories illustrated or the artworks themselves see the individual paintings in this folder.

    Acrylics on paper with some digital colouring, 11.5 x 8" Frame digitally adapted by one photographed by Stephen Clulow on Flickr.


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  4. Commission for :icondaegann:

    This is his character Assai, getting a bit flustered about the sudden appearance of a live grenade invading her cover. Man, this was a fun one, and I am pretty happy with how it turned out, too! 


    Click the link below to check out my Patreon and get exclusive, never before seen weekly pinups:
    Patreon Icon www.patreon.com/RoninDude


    Check out my Gumroad for full Patreon Art packs from previous months:
    Gumroad icon 2 gumroad.com/ronindude

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  5. Like Yaya on Facebook
    Follow Yaya on Twitter
    Yaya Han signed Posters


    Characters: Arcade Miss Fortune and Arcade Sona from League of Legends
    Cosplays made/modeled by: Miss Fortune made/modeled by Yaya Han (guns by Junkers Cosplay). Sona made/modeled by VickyBunnyAngel
    Photography by: Lexa One Photographie

    To see more detailed construction notes about my costume, please visit the portfolio page at my website: Arcade Miss Fortune

    Other Deviations featuring this costume:
    :thumb585450115: :thumb575452586: :thumb574476978: :thumb483088600:
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  6. another academy project this time inspiration were Grimm brother's fairytales, to be exact Red Riding Hood. I wanted to illustrate atmosphere of these fairytales, which dark undertones and feel of mystery are very inspirating.  
    In form, I wanted to refer to minimalistic kind of fairytale illustration, which often are similar to papercutting. These flat linear design are in my opinion one of the best ways of illustrating :)

    meterials: plexi glass
    design and execution: MaGeXP

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  7. Set in Stone
    Natural pigments on paper, approx. 17" x 22" 
    Prints are like always available in my ETSY shop: www.etsy.com/shop/heliocyan?re…

    This is the outer sleeve design for a gatefold sleeve of a vinyl record of a classical music project, which was recorded in the Abbey Road Studios. Commissioned by LUSH for their classical music album project. I was asked to produce a cover which should look old, maybe Medieval/Renaissance drawn, like an old map mixed with botanical/natural history/mythical illustration. They liked the idea of “old, obscure, tea-stained”, mixed with the love to detail which my natural history drawings have. 

    It was important to them that it showed “something cyclic" above and below the ground. The cyclic movement of the music will lead from above the ground, up into the air, and via crumbling and decaying stones buried, progressing though the earth and up again, the circle of life. The two sides of the vinyl recording represent both sides: The frone side of the vinyl album is representing the ‘above ground’ side, the back side ‘below ground’. As the recording has an ‘above ground’ and a ‘below ground’ side, I decided to split the artwork into a light and a dark side when printed and folded.
    Above ground is represented by the lighter front side, it is featuring the sea, air, birds, and below ground is the darker backside, is soil, roots, caves, fossils, and the pale things living underground. In the background of the front (right hand side of the artwork) I faintly drew a map, featuring roughly the outlines of Dorset, from Lyme Regis to Portsmouth and the Isle of Weight (one of the musical pieces is telling the story of the Agglestone Rock, thrown by a giant at Corfe Castle from the isle). The area around Poole is being placed in the centre of the Fibonacci Golden Spiral, bird songs and background noises for the album were recorded outdoors in this area and it is the home of the company and the orchestra. The main focus are the birds which are important in the recordings. I decided to draw 16 birds, one for each note, two octaves. They lead from the ground to the sky, from the dark side to the light, from foreground to the distance. These birds are storm petrels, a lot of myths are told around these rare sea birds because they are not easily observed. They are so secretive that they will not return to their nest sides unless it is completely pitch black dark night. Even bright moonlight will prevent them from returning to their nests. I decided these elusive birds represent the secrets of the area very well. The dark side is considerable darker and shows thick bramble and roots. Underground, the life circle of the majestic Stag Beetle is shown from the egg to its eventual returning to the air.  


    LUSH has very high ethical and environmental standards, therefore I was asked to use only natural pigments for my artwork which I obtained from the Dorset coastline. All paints you can see here are pigments from stones, clay, minerals, earth, coal and chalk which I ground up and mixed with linseed oil and egg white, to use it like egg tempera in the old days. 

    The coast in Dorset has an astonishing variety of different coloured cliffs, starting with dark grey, nearly black clay of Lyme Regis, all shades of brown when wandering further east the Jurassic coast towards Charmouth, bright orange in Burton Bradstock and West Bay, and bright white chalk at the Old Harry Rocks. And: fossils, fossils, fossils everywhere... The whole area is a protected heritage site, although collection fossils from the beach is fine. 

    © Claudia Hahn for LUSH 

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